76A LIMITING AMPLIFIER (SPRING SALE!)
A faithful, zero-compromise recreation of the famous “Blue Stripe” Revision A FET compressor/limiter.
76D LIMITING AMPLIFIER (SPRING SALE!)
A faithful, Zero-Compromise 70’s FET Compressor recreation that remains loyal to the distinct and remarkable sonority of the most WIDELY used "Blackface" Revision!
CL-20 [500-SERIES] COMPRESSOR (SPRING SALE!)
Add instant mojo and mid-century vibe to any track
AS78 DUAL-PEAK LIMITER (SPRING SALE!)
The two-headed beast, a mythical legend - ‘The’ Dual peak limiter for the age - REBORN!
V1290 [500-SERIES] PREAMPLIFIER (SPRING SALE)
BIG. BOLD. BEAUTIFUL!!! The QUINTESSENTIAL ‘N’ series Preamp, in all its GLORY, packaged in a convenient 500 series format.
76F DELUXE EDITION (SPRING SALE!)
Our recreation of the “Rev F” FET-based Limiting Amplifier, which features a slightly slower attack time and a brighter, more polished box tone - making it the perfect unit for more modern productions. Now including additional features such as a sidechain high-pass filter, mix knob, and extended attack times.
EQP-2A STEREO TUBE EQUALIZER (SPRING SALE!)
If you love the EQP-A, but wished for a stereo solution, AudioScape’s EQP-2A is your wish come true. Mastering Edition available
MODULAR AUDIO PRODUCTS D.AM-27 DUAL CHANNEL MIC PREAMP (SPRING SALE!)
The D.AM-27 is a sonically lush mic preamp based on the old Melcor AM-27 design. It’s box-tone comprises harmonic sheen and a well-defined mid-range, with detail only a class A discrete circuit design can deliver.
EUROBUSS VCA COMPRESSOR (SPRING SALE!)
Eurorack-format Buss Compressor, the EuroBuss
LA-76 DUAL COMPRESSOR-MOJO MODULE FOR SILVER BULLET MK2 (SPRING SALE!)
Stereo LA-76 is a satisfying fusion of two classic compressors: the LA-4 and the 1176 Rev. F.
260VU COMPRESSOR/LIMITER (SPRING SALE!)
Want to add that SNAP/CHOP to your Drum Track? Need that ineffable “special something” on your Snare?
Turn a Wimpy Kick Drum into a PUNCH FACTORY!
76F LIMITING AMPLIFIER (SPRING SALE!)
FET Compression Character and Drive that Legends are Made Of…
ASA-6A TUBE VARI-MU COMPRESSOR (SPRING SALE!)
Renowned for its super-thick and weighty tone, nine total tubes, super-beefy Hammond transformers throughout and a superb box tone.
BUSS COMPRESSOR (SPRING SALE!)
Hello MIX; Meet GLUE!
D-COMP LIMITER (SPRING SALE!)
THICK and DENSE; Effortless Transient Manipulation & Unparalleled Versatility…
EQP-A TUBE EQUALIZER (SPRING SALE!)
…with an elegant but HUGE tube sound, your sources will simply sound BETTER by running them through this legendary passive EQ & tube line amplifier circuitry.
MIDRANGE EQ (SPRING SALE!)
Big and Bold yet Smooth as Silk...
V-COMP+ "DELUXE 6386 EDITION" MU COMPRESSOR (SPRING SALE!)
Expanded options, same great tone and topology!
V3A [500-SERIES] LEVELING AMPLIFIER (SPRING SALE!)
A 1:1 circuit recreation of the original - finally adapted to the 500-series format!
CLASSIC DI+ w/LOAD CONTROL (SPRING SALE!)
Hand wired and Point to Point. A new 'CLASSIC'. The ultimate CREATIVE DI BOX!!!
MK-609 PRECISION STEREO DIODE LIMITER/COMPRESSOR
Well known as one of the most classic bus compressors ever made, the original "Metal Knob" 33609 was based on an older venerated bus compressor design, the 2254, dating back to 1969. The 2254 was integral to some of the most iconic British consoles of yesteryear.
76A DELUXE EDITION
Our recreation of the famous “Blue Stripe” Rev A FET-based compressor, now including additional features such as a sidechain highpass-filter, mix knob, and extended attack times.
76D DELUXE EDITION
Our recreation of the “Rev D” FET-based Limiting Amplifier, which admired for its punchy, thick, and harmonically complex tonality. Now including additional features such as a sidechain high-pass filter, mix knob, and extended attack times.
DA-3A DUAL-CHANNEL OPTICAL LEVELING AMPLIFIER
AudioScape’s more-real-than-recreated take on THE classic 3A solid state Leveling Amplifier, one of the great optical compressors of yesteryear.
OPTO COMPRESSOR
Decadent & Elegant - this is as good as it gets. You can do DIFFERENT, but you can’t do BETTER.
EQP-A TUBE EQUALIZER MASTERING EDITION CROSS-GRADE
OPTO COMP CROSS-GRADE
The AudioScape Opto Comp just got a facelift!
MK-609 PRECISION STEREO DIODE LIMITER/COMPRESSOR PLUGINMK-609 PRECISION STEREO DIODE LIMITER/COMPRESSOR PLUGIN
…well known as one of the most classic bus compressors ever made, the original "Metal Knob" 33609 was based on an older venerated bus compressor design, the 2254, dating back to 1969.
GOLDEN58 STEREO TUBE PREAMP / SATURATOR PLUGIN
AudioScape’s ever-expanding universe of vintage tone plugins, the Golden 58 Tube Preamplifier Plugin.
V-COMP "6386 EDITION" VARI-MU COMPRESSOR DUAL PLUGIN
This is a digital version of the V-COMP "6386 EDITION" VARI-MU COMPRESSOR and the V-COMP+ "DELUXE 6386 EDITION" VARI-MU COMPRESSOR.
XL305R DUAL PLUGIN
We’re taking our first step into a larger world with the introduction of the XL-305R Plugin, the software version of our acclaimed XL-305R Spring Reverb.
AUDIOSCAPE GIFT CARD
Give the gift of AWESOME. With the AudioScape Digital gift cards, you can give the gift of AudioScape, even if a product is sold out.




Sessiondesk Studio Workstation
Furniture Solutions for Recording, Mastering & Songwriting. Want to make the most of your space by adding a unique studio desk to your room with real aesthetics? Now you can!
OFFECCT Soundwave® Acoustic panel line
Welcome to a whole new spin on the Studio Acoustic panel. Why can’t you have great absorption along with a unique aesthetic? Now you can!
Handcrafted in Small Batches / Made in the USA
Recreating the Euphonic Sonics of a Bygone Era
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From now until March 15, you can enter our sweepstakes for a chance to win this savory signal chain featuring two modern classics inspired by the best of the best of yesteryear:
Vanguard Audio Labs V1S gen2 Stereo Pencil Condenser System
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AudioScape MAP D.AM-27 Dual Channel Mic Preamp
As you’ve seen, we’ve recently been introducing Deluxe versions of our standard products that include mods many of you have been requesting for years. We’re always listening to what you have to say! You are our North Star, and customer requests fuel much of our product development. We are happy to oblige, offering more options, while maintaining our traditional bread and butter products that so many rely on daily.
But, to be clear, there is one idea we will never subscribe to when it comes to mods on classic designs:
Our team recently had the privilege of catching up with John DiBiase, and spoke with him about his affinity for the 260VU, and how he used it on Taj Mahal’s 2024 Grammy-winning album.
In the audio world, of course, we only delight in its awesome applications for amplifiers, preamps, dynamics processors and microphones, completely ignoring the fact that from the beginning of the 20th century for nearly 70 years, throughout the industrial age, vacuum tubes were at the heart of computers, industrial control systems, televisions, telephony, and virtually all data transmission from land, sea, space and air.
At the turn of 2020 I had been given a seemingly simple task: produce a backing track for my daughter’s upcoming singing competition. It was an enjoyable experience but, little did I know, I was about to stumble into a very frustrating issue that inadvertently plagues modern producers — it is something I call “Upgrade Hell”. This is the constant need to upgrade software to maintain compatibility across a vast production landscape. And, as I quickly learned, things don’t always work out the way you think.
We’re often asked if we recommend putting the “XYZ-brand” T4B into our Opto Comp and DA-3A.
The answer is emphatically, NO! I’ll explain:
In 2017, during the development of the Opto Comp, I dug in hard repairing and deconstructing vintage T4A and T4B optical cells from vintage LA-2A’s (btw, some of these units even used 3 photocells instead of 2; shows how much they cared about matching metering to the actual compression back then!). Every one of them, literally, was built in a way I hadn’t seen from any other manufacturer before. This research informed our decision to start making our own optical cells, in the same tradition as the originals.
We get this question a lot. Selecting transformers is a funny thing: You can get them ready-made, off the shelf, or they can be custom made to your spec. We often choose the latter, but the choice is more complex than that. Let’s dive in:
Myth #1: The one transformer brand that you’ve heard of is the “best” to use in EVERYTHING
This is a question we’ve gotten a lot recently. Last week we discussed why we don’t sell all three revisions of the 76 style compressors in one box; this week we’ll discuss why we won’t offer an “all in one” approach with these legendary EQ circuits.
With the V1290 making it back to the site earlier this week, we wanted to share a little bit of the history behind our particular build of this class-A preamp.
No question, there are many options out there for “73” style preamp recreations. But when we decided we’d build one back at the beginning of this decade, we wanted to really do it right!