MODULAR AUDIO PRODUCTS D.AM-27 DUAL CHANNEL MIC PREAMP
The D.AM-27 is a sonically lush mic preamp based on the old Melcor AM-27 design. It’s box-tone comprises harmonic sheen and a well-defined mid-range, with detail only a class A discrete circuit design can deliver.
CL-20 [500-SERIES] COMPRESSOR
Our recreation of the original Melcor CL-20 FET unit released in the late 1960’s.
260VU COMPRESSOR/LIMITER (PRESIDENT'S DAY SALE)
Want to add that SNAP/CHOP to your Drum Track? Need that ineffable “special something” on your Snare?
Turn a Wimpy Kick Drum into a PUNCH FACTORY!
ASA-6A TUBE VARI-MU COMPRESSOR (PRESIDENT'S DAY SALE)
Renowned for its super-thick and weighty tone, nine total tubes, super-beefy Hammond transformers throughout and a superb box tone.
BUSS COMPRESSOR (PRESIDENT'S DAY SALE)
Hello MIX; Meet GLUE!
EQP-A TUBE EQUALIZER (PRESIDENT'S DAY SALE)
…with an elegant but HUGE tube sound, your sources will simply sound BETTER by running them through this legendary passive EQ & tube line amplifier circuitry.
MIDRANGE EQ (PRESIDENT'S DAY SALE)
Big and Bold yet Smooth as Silk...
V3A [500-SERIES] LEVELING AMPLIFIER (PRESIDENT'S DAY SALE)
A 1:1 circuit recreation of the original - finally adapted to the 500-series format!
EQP-2A STEREO TUBE EQUALIZER (MASTERING VERSION JUST RELEASED!)
If you love the EQP-A, but wished for a stereo solution, AudioScape’s EQP-2A is your wish come true. Mastering Edition available
76A DELUXE EDITION
Our recreation of the famous “Blue Stripe” Rev A FET-based compressor, now including additional features such as a sidechain highpass-filter, mix knob, and extended attack times.
76F DELUXE EDITION
Our recreation of the “Rev F” FET-based Limiting Amplifier, which features a slightly slower attack time and a brighter, more polished box tone - making it the perfect unit for more modern productions. Now including additional features such as a sidechain high-pass filter, mix knob, and extended attack times.
76A LIMITING AMPLIFIER
A faithful, zero-compromise recreation of the famous “Blue Stripe” Revision A FET compressor/limiter.
76D LIMITING AMPLIFIER
A faithful, Zero-Compromise 70’s FET Compressor recreation that remains loyal to the distinct and remarkable sonority of the most WIDELY used "Blackface" Revision!
76F LIMITING AMPLIFIER
FET Compression Character and Drive that Legends are Made Of…
AS78 DUAL-PEAK LIMITER
The two-headed beast, a mythical legend - ‘The’ Dual peak limiter for the age - REBORN!
DA-3A DUAL-CHANNEL OPTICAL LEVELING AMPLIFIER
AudioScape’s more-real-than-recreated take on THE classic 3A solid state Leveling Amplifier, one of the great optical compressors of yesteryear.
D-COMP LIMITER
THICK and DENSE; Effortless Transient Manipulation & Unparalleled Versatility…
OPTO COMPRESSOR
Decadent & Elegant - this is as good as it gets. You can do DIFFERENT, but you can’t do BETTER.
V-COMP+ "DELUXE 6386 EDITION" MU COMPRESSOR
Expanded options, same great tone and topology!
CLASSIC DI+ w/LOAD CONTROL
Hand wired and Point to Point. A new 'CLASSIC'. The ultimate CREATIVE DI BOX!!!
V1290 [500-SERIES] PREAMPLIFIER
BIG. BOLD. BEAUTIFUL!!! The QUINTESSENTIAL ‘N’ series Preamp, in all its GLORY, packaged in a convenient 500 series format.
LA-76 DUAL COMPRESSOR-MOJO MODULE FOR SILVER BULLET MK2
Stereo LA-76 is a satisfying fusion of two classic compressors: the LA-4 and the 1176 Rev. F.
EUROBUSS VCA COMPRESSOR
Eurorack-format Buss Compressor, the EuroBuss
The EQ Bundle
Includes a new EQP-2A Stereo Tube Equalizer and a matched pair of MEQ-A Tube Equalizers
The Mix Buss Bundle
Includes a new EQP-2A Stereo Tube Equalizer and a G-Series Buss Comp
The Vocal Chain Bundle
Includes a new EQP-A Tube Equalizer, an Opto Comp and your choice of a Deluxe Edition 76A, 76D, or 76F Compressor/Limiter
EQP-A TUBE EQUALIZER MASTERING EDITION CROSS-GRADE
OPTO COMP CROSS-GRADE
The AudioScape Opto Comp just got a facelift!
MK-609 PRECISION STEREO DIODE LIMITER/COMPRESSOR PLUGINMK-609 PRECISION STEREO DIODE LIMITER/COMPRESSOR PLUGIN
…well known as one of the most classic bus compressors ever made, the original "Metal Knob" 33609 was based on an older venerated bus compressor design, the 2254, dating back to 1969.
GOLDEN58 STEREO TUBE PREAMP / SATURATOR PLUGIN
AudioScape’s ever-expanding universe of vintage tone plugins, the Golden 58 Tube Preamplifier Plugin.
V-COMP "6386 EDITION" VARI-MU COMPRESSOR DUAL PLUGIN
This is a digital version of the V-COMP "6386 EDITION" VARI-MU COMPRESSOR and the V-COMP+ "DELUXE 6386 EDITION" VARI-MU COMPRESSOR.
XL305R DUAL PLUGIN
We’re taking our first step into a larger world with the introduction of the XL-305R Plugin, the software version of our acclaimed XL-305R Spring Reverb.
AUDIOSCAPE GIFT CARD
Give the gift of AWESOME. With the AudioScape Digital gift cards, you can give the gift of AudioScape, even if a product is sold out.
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Sessiondesk Studio Workstation
Furniture Solutions for Recording, Mastering & Songwriting. Want to make the most of your space by adding a unique studio desk to your room with real aesthetics? Now you can!
OFFECCT Soundwave® Acoustic panel line
Welcome to a whole new spin on the Studio Acoustic panel. Why can’t you have great absorption along with a unique aesthetic? Now you can!
Handcrafted in Small Batches / Made in the USA
Recreating the Euphonic Sonics of a Bygone Era
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In the audio world, of course, we only delight in its awesome applications for amplifiers, preamps, dynamics processors and microphones, completely ignoring the fact that from the beginning of the 20th century for nearly 70 years, throughout the industrial age, vacuum tubes were at the heart of computers, industrial control systems, televisions, telephony, and virtually all data transmission from land, sea, space and air.
At the turn of 2020 I had been given a seemingly simple task: produce a backing track for my daughter’s upcoming singing competition. It was an enjoyable experience but, little did I know, I was about to stumble into a very frustrating issue that inadvertently plagues modern producers — it is something I call “Upgrade Hell”. This is the constant need to upgrade software to maintain compatibility across a vast production landscape. And, as I quickly learned, things don’t always work out the way you think.
We’re often asked if we recommend putting the “XYZ-brand” T4B into our Opto Comp and DA-3A.
The answer is emphatically, NO! I’ll explain:
In 2017, during the development of the Opto Comp, I dug in hard repairing and deconstructing vintage T4A and T4B optical cells from vintage LA-2A’s (btw, some of these units even used 3 photocells instead of 2; shows how much they cared about matching metering to the actual compression back then!). Every one of them, literally, was built in a way I hadn’t seen from any other manufacturer before. This research informed our decision to start making our own optical cells, in the same tradition as the originals.
We get this question a lot. Selecting transformers is a funny thing: You can get them ready-made, off the shelf, or they can be custom made to your spec. We often choose the latter, but the choice is more complex than that. Let’s dive in:
Myth #1: The one transformer brand that you’ve heard of is the “best” to use in EVERYTHING
This is a question we’ve gotten a lot recently. Last week we discussed why we don’t sell all three revisions of the 76 style compressors in one box; this week we’ll discuss why we won’t offer an “all in one” approach with these legendary EQ circuits.
I’ll start this with a story: I remember years ago being on the road with my bandmates somewhere in the midwest. We were super young and had a shoestring budget. (At one point i saw our singer eating what i thought was a sandwich, nope, it was just a folded up piece of bread) Anyways, we literally spent 30 minutes arguing in a grocery store on whether to buy peanut butter and jelly in the same jar or both in separate jars. Little did I know this would be a life defining moment for me. I argued on the merits of buying the best peanut butter in its own jar and the best jelly in its respective jar so I will do the following now.
We often get asked if we offer DIY kits of our products. The truth is that we’d LOVE to!! The reason that we don’t is because of the unpredictable availability of the NOS parts we pack into our products.
Our team recently had the privilege of catching up with John DiBiase, and spoke with him about his affinity for the 260VU, and how he used it on Taj Mahal’s 2024 Grammy-winning album.