XL-305R DUAL, GOLDEN58, V-COMP DUAL, MK-609 PLUGIN BUNDLE
XL-305R DUAL, GOLDEN58, V-COMP DUAL, MK-609 PLUGIN BUNDLE
Why get one plugin when you can get four?
Get the new AudioScape Plugin Bundle that includes the XL-305R Equally Tempered Stereo Reverb Dual Plugin, the Golden58 Stereo Tube Preamp / Saturator Plugin, the V-Comp "6386 Edition" Vari-Mu Compressor Dual Plugin, and the MK-609 Precision Stereo Diode Limiter/Compressor Plugin.
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The XL-305R Equally Tempered Stereo Reverb Dual Plugin. We’re took our first step into a larger world with the introduction of the XL-305R Plugin, the software version of our acclaimed XL-305R Spring Reverb. Our designers teamed up with Canadian plug-in developer Kiive Audio to recreate in the digital realm our take on a classic 1980’s analog reverb tank. AudioScape has stayed true to our philosophy of more-real-than-recreated by making this plugin a doppelganger of our hardware offering. The XL-305R for Mac and Windows is perfect if you want to stay in-the-box , but still want the sweet vibe of vintage analog reverb.
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The Golden 58 Tube Preamp / Saturator Plugin. The Golden 58 Plugin is a digital version of the acclaimed Golden 58 Stereo Tube Preamp. The limited-edition Golden 58 was a six-tube, four-NOS-transformer deep dive into big-tone, reminiscent of late 1950’s tube tech. AudioScape has now teamed up with Canadian plug-in developer Kiive Audio to re-create this modern tone-monster in the digital realm.
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The V-Comp "6386 Edition" Vari-Mu Compressor Dual Plugin. This is a digital version of the V-COMP "6386 EDITION" VARI-MU COMPRESSOR and the V-COMP+ "DELUXE 6386 EDITION" VARI-MU COMPRESSOR. TheAudioScape V-Comp+ “Deluxe 6386 Edition” is our enhanced take on a legendary variable-mu, all-tube compressor made in the 1950’s. Originally designed for broadcast, it gained a reputation among engineers and producers as one of the most musical and effortless compressors ever created. Working in collaboration directly with Kiive Audio, we’re proud to bring you their legendary Vari-Mu Compressor: V-Comp, in plugin form. We’ve stayed true to the AudioScape philosophy of more-real-than-recreated by staying true to the sound, as well as bringing features only possible in plugin form!.
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AudioScape is pleased to announce the newest addition to their ever-expanding universe of vintage tone plugins, the MK-609 Precision Stereo Diode Limiter/Compressor Plugin. The MK-609 Precision Stereo Diode Limiter/Compressor Plugin is a digital version of the MK-609 Precision Stereo Diode Limiter/Compressor. The MK-609 Precision Stereo Diode Limiter/Compressor is well known as one of the most classic bus compressors ever made, the original "Metal Knob" 33609 was based on an older venerated bus compressor design, the 2254, dating back to 1969. The 2254 was integral to some of the most iconic British consoles of yesteryear. By utilizing a unique diode-bridge circuit topology, this design uses an internal side-chain, rather than the direct signal, to make it's dynamic adjustments.. AudioScape has now teamed up with Canadian plug-in developer Kiive Audio to re-create this modern tone-monster in the digital realm.
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*License up to 3 Devices. Please allow up to one hour for license delivery from audioscapeinfo@gmail.com.
*Minimum System requirements
1 GHz Intel Dual Core Processor or AMD equivalent (PC)
4GB of RAM- Mac OS X 10.7 or higher, 10.14 or higher recommended
Windows 7 & Above- Screen res: 1024 x 768 or higher- 64 bit DAW support only
*Supported Plugin Formats
MacOS | 64bit / M1 Native: VST3, AU, AAX
Windows | 64bit: VST3, AAX
WELCOME TO THE XL-305R PLUGIN FOR MAC & WINDOWS FROM AUDIOSCAPE
12 Springs Equally Tempered
AudioScape’s hardware version of the XL-305R has its roots in the digital-free XL-305 Spring Reverb released by Micmix in 1979. An immediate success, it quickly found its way into major studios worldwide. Owing to its smooth decay and unique sonic signature, it has been a secret weapon reverb over the years and has gained cult-like status. Unlike many spring reverbs, this spring assembly has 12 springs tuned together making it equally tempered, very similar to opening the lid of a piano, holding the damper open and singing into the strings . Working from this core design principle, we re-imagined the rest of our hardware version of the XL-305R from the ground up. After four years of R & D under the direction of Wayne Kirkwood (original designer of the XL-305), we brought our take on this ground-breaking design from the last century into this one.
Now we’re proud to bring you the software version of this classic with our new XL-305R Equally-Tempered Spring Reverb plugin. We’ve stayed true to our philosophy of more-real-than-recreated by making this plugin nearly a doppelganger of our hardware offering.
Features:
INPUT controls drive the signal to the tank, signal overload LEDs son each channel
MIX controls blend the wet/ dry ratio
4-band boost/cut EQ on each channel, for shaping the tone of the wet signal
Mono Drive Lighted Push-button Switch stereo links the channels together ,and makes it easier to bring the stereo image together
Mono Return Lighted Push-button Switch sends the signal from the Reverb assembly out, summed to mono
LED indicators on the right side of the unit allow the user to monitor the total output level of the Reverb itself
Artist Presets from:
Armon Jay
Matt Lange
Joe Carrell
Melissa Bell
Clifton Miles
Adam Sliger
More on the way!
The Golden 58 Tube Preamplifier / Saturator Plugin is a Modern Classic!
The original circuit was developed by Chris Yetter and his team at AudioScape.
Chris says: ”The circuit is all original, based around the 5879 tube (hence the name Golden 58), which is the US military equivalent of the EF86 tube used in famous British preamps. In fact, we feel it is very much the American Answer to those Classic preamps from across the pond, the Tele V series and 47 style preamps, with a few tasteful upgrades to bring it from yesteryear into the modern age. With the handy voice filters and separate Line Input jacks, this simple, yet elegant, preamp can cover a lot of ground.”
The hardware version of the Golden 58 was always fated to be a limited run. Using parts like four NOS transformers per unit, and hard to source 5879 tubes ensured that. But, the radiant warmth and saturation of the original is now available again with the Golden 58 Plugin. Some new enhancements have been added to the plugin like an Auto-Gain control for more consistent output levels following the Saturation/ Harmonics stage, and Output Trims, which give the user even more saturation options.
Features:
6 Premium, NOS Tubes-NOS Philips/GE 5879’s and GE/JAN 12au7’s
Exclusive NOS Input Transformers (4 of them per unit). Completely flat from 20hz-50khz, perfect pairing with this high character tube design
HUGE, Chunky Cornell Dubilier (CDE) and Wima Polypropylene Capacitors
Vishay-Sprague higher wattage Resistors throughout
Phantom, Polarity and Line/Mic switches
+56dB Gain per Channel (+/- 1db)
Voice switch provides the perfect Voice filter for vocal tracking (Single pole Butterworth filter with 3db dip around 40hz crossover point)
Alpha potentiometers and Carling Switches
The V-COMP VARI-MU COMPRESSOR DUAL PLUGIN brings our Vari-Mu to the digital realm
The AudioScape V-Comp+ “Deluxe 6386 Edition” is our enhanced take on a legendary variable-gain, all-tube compressor made in the 1950’s. Originally designed for broadcast, it gained a reputation among engineers and producers as one of the most musical and effortless compressors ever created.
The V-COMP+ utilizes a premium JJ6386 tube for gain reduction, boasts expanded recovery time options and features a +5db input drive switch, making this sought-after classic more versatile for the modern studio.
Features:
Tubes and transformers used in the V-Comp+ include:
6386
12AT7
6AL5
OB2
6V6 (x2)
5Y3
Triad® Choke
Proprietary Custom-Wound Input and Output Transformers
The MK-609 Precision Stereo Diode Limiter/Compressor Plugin brings our MK-609 to the digital realm, which is well known as one of the most classic bus compressors ever made, the original "Metal Knob" 33609 was based on an older venerated bus compressor design, the 2254, dating back to 1969. The 2254 was integral to some of the most iconic British consoles of yesteryear. By utilizing a unique diode-bridge circuit topology, this design uses an internal side-chain, rather than the direct signal, to make it's dynamic adjustments.
FEATURES & SPECS:
Handcrafted in the USA
Custom-Wound transformers matching the original Marinar/St Ives spec
Exact replication of the BA440C Amp cards (pictured)
NOS transistors (found in the original units) utilized in Crucial Areas of the Compressor/Amplifier Sections
Period-Correct Attack & Release Time Constants
Cornell Dubilier Silver Mica Capacitors
Tantalum and Styroflex Capacitors throughout, matching the 1:1 with our original metal knob layout
Period correct Carbon film resistors used in the original circuitry, 1% precision resistors used for the modification sections
Fully Variable Input/Output and Attack/Release
Comp Attack 3 way mini toggle Switch (Fast, Slow, and stock))
Limit Attack 3 way toggle Switch with extra mode added (Fast, Slow, and Super Fast)
SC-HPF 3 way mini toggle switch for 50Hz or 100Hz (or stock/off) of sidechain filtering
Additional gain mod jumper inside to allow gain to be active when comp mode is bypassed(original did not have this option)
Original Style Ratio Control (1.5:1/2:1/3:1/4:1/6:1)
Lorlin UK rotary switches and custom made stepped potentiometers
Electronically Balanced +4dBu circuitry
Custom Vintage-Styled dB Gain-Reduction Meter
Original toggle switches and Pilot Light
Highest-Quality US made Recreation Metal Knobs
Real Metal Neutrik XLR Input and Output Connectors
Internal 120V/240V Power Supply, everybody worldwide welcome!
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