Vintage Pro Audio Equipment | AudioScape Engineering Co.

The LA-2A was built on the bones of an earlier design utilizing a unique optical attenuator created by Jim Lawrence, founder of the Teletronix Engineering Company. In the late 1950’s Lawrence wanted to build an audio “leveler” that would ride the gain automatically during radio broadcasts.

This week, we want to celebrate General Electric’s 133rd birthday and pay tribute to a true giant in the world of electronics.

Technology and music have always followed along with each another, with each inspiring the other to push beyond the boundaries. But despite that, the classics still remain for a reason, and the 1176 style compressor is one of them.

When it comes to achieving that thick, warm bass sound in music production, few tools are as indispensable as a well-designed optical compressor. Among the modern standouts, the Audioscape Opto Compressor earns its reputation not only for sonic quality but also for its faithful homage to one of the most iconic designs in recording history. In this post, we’re diving deep into the world of opto compression, with a focus on how to use the Audioscape Opto to shape, control, and elevate your bass tracks.

With the V1290 making it back to the site earlier this week, we wanted to share a little bit of the history behind our particular build of this class-A preamp.

No question, there are many options out there for “73” style preamp recreations. But when we decided we’d build one back at the beginning of this decade, we wanted to really do it right!

From now until March 15, you can enter our sweepstakes for a chance to win this savory signal chain featuring two modern classics inspired by the best of the best of yesteryear:

Vanguard Audio Labs V1S gen2 Stereo Pencil Condenser System
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AudioScape MAP D.AM-27 Dual Channel Mic Preamp

As you’ve seen, we’ve recently been introducing Deluxe versions of our standard products that include mods many of you have been requesting for years. We’re always listening to what you have to say! You are our North Star, and customer requests fuel much of our product development. We are happy to oblige, offering more options, while maintaining our traditional bread and butter products that so many rely on daily.

But, to be clear, there is one idea we will never subscribe to when it comes to mods on classic designs:

Our team recently had the privilege of catching up with John DiBiase, and spoke with him about his affinity for the 260VU, and how he used it on Taj Mahal’s 2024 Grammy-winning album.